Pairs in queuePairs researchedTheses publishedPITCH gradeAccounts qualifiedContacts foundVerifiedMessages draftedSteps scheduledRepliesOpt-outs honouredHanded to a personBrands claimed
qualifier

68 accounts qualified

The side of each pair the Qualifier picked as the buyer, with the Numbers pack.

2026-10-20CosrxCosrx is a brand and the kind of business that buys audience data, making them the direct side to approach using Qloo insights. Jennie is kept as evidence only because she is an individual artist whose label or management would actually purchase the data.over Jennie2026-10-20H&MH&M is the correct side to approach because it is a brand with a verified public contact route, and the facts suggest their audience already strongly likes the target data. Bad Bunny is kept as evidence only because he is an individual artist with an unverified public contact route.over Bad Bunny2026-10-19Tiffany & Co.Tiffany & Co. is the right choice to approach because it is a brand that buys audience data and has a verified public contact route. Charli XCX is kept as evidence only because she is an individual artist whose contact route is not verified yet.over Charli XCX2026-10-19Abercrombie & FitchAbercrombie & Fitch is the appropriate side to approach because as a brand it directly buys audience data and has a verified public contact route. Charli XCX is kept as evidence only because as an individual artist requiring a label or management and lacking a verified contact route, the facts suggest analyzing her strong audience overlap instead.over Charli XCX2026-10-19Sk-iiSk-ii is the one to approach about Qloo audience data because it is a verified brand that other audiences already strongly like. Jennie is kept as evidence only because she is an individual artist whose contact route is not verified yet.over Jennie2026-10-19NetflixNetflix is the appropriate side to approach because as a studio, it is the kind of business that directly buys audience data. Charli XCX is kept as evidence only because as an individual artist, the buyer for her work would be a label or management.over Charli XCX2026-10-19The Little MarketThe Little Market is the side to approach because it is a brand or studio, which is the kind of business that buys audience data. Lucius is kept as evidence only because it is an individual artist where the buyer would be a label or management.over Lucius2026-10-19Rowse BeautyRowse Beauty is the chosen side to approach because it is a brand that buys audience data. Julia Jacklin is kept as evidence only because she is an individual artist whose buyer would be a label or management.over Julia Jacklin2026-10-19The Weeknd MerchandiseThe Weeknd Merchandise is the direct choice to approach for Qloo data because it is a brand where other audiences already strongly like it. GhosteMane is kept as evidence only because as an individual artist requiring a label or management buyer, the facts suggest using it to support the cultural overlap rather than direct outreach.over GhosteMane2026-10-19The PatternThe Pattern is a brand or studio and represents the direct buyer type for audience data, while Phoebe Bridgers is an individual artist whose label or management would be the actual purchaser. Phoebe Bridgers is kept as evidence only because the facts show her audience already strongly likes the target, which validates the taste correlation for the pitch.over Phoebe Bridgers2026-10-19PradaPrada is the chosen side to approach about Qloo audience data because it is a brand with a verified public contact route. Charli XCX is kept as evidence only because she is an individual artist with a contact route not verified yet.over Charli XCX2026-10-19Snow krSnow kr is the side to approach because it is a brand or studio, which is the kind of business that buys audience data. Jennie is kept as evidence only because she is an individual artist whose label or management would be the actual buyer.over Jennie2026-10-19KoodingKooding is the correct side to approach because it is a brand or studio, which is the kind of business that directly buys audience data. Jennie is kept as evidence only because she is an individual artist whose purchase would go through a label or management.over Jennie2026-10-19Nature Republic - IndonesiaNature Republic - Indonesia is the brand or studio side, making it the appropriate entity to approach for purchasing audience data since this is the kind of business that buys such data. Jennie is kept as evidence only because as an individual artist, the actual buyer would be a label or management.over Jennie2026-10-19FendiFendi is the direct target for Qloo audience data because it is a studio with a verified public contact route and a strong existing audience overlap. Charli XCX is kept as evidence only because she is an individual artist whose contact route is not verified yet.over Charli XCX2026-10-19MerzyMerzy is the side to approach about Qloo audience data because as a brand or studio, it represents the kind of business that buys audience data. Jennie is kept as evidence only because as an individual artist, the buyer would be a label or management.over Jennie2026-10-19Anova CulinaryAnova Culinary is the side to approach because as a brand it directly buys audience data and matches the strong existing audience preference. The Bear is kept as evidence only because as a TV show its network would be the actual buyer and it serves merely to show that the audience already likes it.over The Bear2026-10-19Shu UemuraShu Uemura is the brand to approach because it buys audience data and shares a strong mutual audience affinity. Jennie is kept as evidence only because the buyer would be a label or management rather than the artist directly.over Jennie2026-10-19Crap EyewearCrap Eyewear is the side to approach because it is a brand or studio, which is the kind of business that buys audience data. Julia Jacklin is kept as evidence only because she is an individual artist whose buyer would be a label or management.over Julia Jacklin2026-10-19OliveyoungOliveyoung is the brand to approach because it is a business with a verified public contact route that can directly buy audience data. Jennie is kept as evidence only because she is an individual artist whose label or management would be the actual buyer and her public contact route is not verified yet.over Jennie2026-10-19Happybath.Happybath is the brand that should be approached about Qloo audience data because it is a business that buys audience data. Jennie is kept as evidence only because she is an individual artist whose data confirms the strong audience overlap.over Jennie2026-10-19The Green House ProjectThe Green House Project is the one to approach about Qloo audience data because it is a brand or studio with a verified public contact route and strong audience affinity. Tyler, the Creator is kept as evidence only because he is an individual artist requiring label or management buyers and lacks a verified public contact route.over Tyler, the Creator2026-10-19BuzzfeedBuzzfeed is the one to approach about Qloo audience data because it is a brand with a verified public contact route. Charli XCX is kept as evidence only because she is an individual artist with a public contact route not verified yet.over Charli XCX2026-10-19Nakedwolfe ManNakedwolfe Man is the brand or studio to approach because audience data buyers of this kind acquire insight directly for commercial positioning, and the facts suggest they strongly align with Qloo data. GhosteMane is kept as evidence only because as an individual artist, the actual buyer would be a label or management, making this entity useful strictly for cultural signal validation rather than direct outreach.over GhosteMane2026-10-19Fear Of GodFear Of God is the side to approach because as a brand or studio, they are the direct business buyer for audience data. Tyler, the Creator is kept as evidence only because as an individual artist, the actual data buyer would be a label or management.over Tyler, the Creator2026-10-18Discovery ExpeditionDiscovery Expedition is the right side to approach about Qloo audience data because it is a brand with a verified public contact route. Jennie is kept as evidence only because she is an individual artist whose contact route is not verified yet.over Jennie2026-10-18Kakao FriendsKakao Friends is the side to approach because it is a brand or studio that buys audience data. Jennie is kept as evidence only because she is an individual artist whose label or management would be the actual buyer.over Jennie2026-10-18Althea KoreaAlthea Korea is the one to approach because, as a brand or studio, it represents the direct buyer type for audience data. Jennie is kept as evidence only because, as an individual artist, the buyer for her would be a label or management.over Jennie2026-10-18Jungsaemmool BeautyJungsaemmool Beauty is the business to approach about Qloo audience data because brands and studios directly buy audience insights. Jennie is kept as evidence only because as an individual artist, the actual buyer would be a label or management.over Jennie2026-10-18Atom TicketsAtom Tickets is the correct side to approach about Qloo audience data because the other audience already likes it strongly, suggesting a high-intent prospect for targeting. Blumhouse Productions is kept as evidence only because the other audience likes it weakly, suggesting a lower priority for direct outreach.over Blumhouse Productions2026-10-18LINELINE is the one to approach about Qloo audience data because it is a brand or studio and that kind of business is the actual buyer of audience data. Jennie is kept as evidence only because as an individual artist, the buyer for her would be a label or management instead.over Jennie2026-10-18VDLVDL is the stronger side to approach because the brand or studio profile fits the direct buyer of audience data. Jennie is kept as evidence only because the individual artist profile suggests that a label or management would be the actual purchaser.over Jennie2026-10-18Born This Way FoundationBorn This Way Foundation is the side to approach because the other audience already strongly likes it and it has a verified public contact route. Blumhouse Productions is kept as evidence only because the other audience likes it weakly and its public contact route is not verified yet.over Blumhouse Productions2026-10-188seconds8seconds is the kind of business that buys audience data and should be approached to utilize Qloo data. Jennie is kept as evidence only since individual artists do not buy data directly and require a label or management intermediary.over Jennie2026-10-18IopeIope is the one to approach about Qloo's audience data because it is a brand or studio with a verified public contact route and its other audience already likes it strongly. Jennie is kept as evidence only because she is an individual artist where the buyer would be a label or management, and her public contact route is not verified yet.over Jennie2026-10-18GuessGuess is the brand to approach about Qloo audience data because they represent a business that buys audience data and have a verified public contact route. Bad Bunny is kept as evidence only because he is an individual artist where the buyer would be a label or management and his public contact route is not verified yet.over Bad Bunny2026-10-18MAC CosmeticsMAC Cosmetics is the side to approach about Qloo audience data because it is a brand that buys audience data and has a verified public contact route. Charli XCX is kept as evidence only because she is an individual artist whose contact route is not verified yet.over Charli XCX2026-10-16BillabongBillabong is the primary entity to approach because it features a verified public contact route and moderate baseline affinity with Qloo data. Red Bull is retained solely as supporting evidence because it shares identical contact status and audience affinity metrics without requiring direct outreach.over Red Bull2026-10-15TED TalksTED Talks is the right side to approach for audience data because it is a verified brand and studio whose audience already strongly likes Qloo's data. Hacks is kept as evidence only because it is a television show with an unverified public contact route, though its audience also shows strong affinity.over Hacks2026-10-15Etnies SkateboardingEtnies Skateboarding is the right entity to approach because they have a verified contact route and their audience already shows a strong affinity for the data. Red Bull is kept as evidence only because their audience shows a moderate affinity, making them a secondary reference point.over Red Bull2026-10-15Breville Breville is the side to approach because as a brand that buys audience data, it matches the business type looking for this information based on strong audience affinity. The Bear is kept as evidence only because as a TV show, its network represents the type of property supported by data rather than the direct buyer.over The Bear2026-10-15Academy of Art UniversityAcademy of Art University is the side to approach with Qloo data because they are a studio with a verified contact route and an audience that already strongly likes them. A24 is kept as evidence only because, despite also being a studio with a verified contact route, their audience likes them only weakly.over A242026-10-15Pop & SukiPop and Suki is the side to approach because Qloo data shows the target audience already strongly likes them, which indicates a strong cultural alignment for a data partnership. Glossier is kept as evidence only because the target audience shows only weak affinity for them, making them useful for comparative analysis rather than direct outreach.over Glossier2026-10-15FlipboardFlipboard is the one to approach because they have a verified public contact route and Qloo taste data shows the target audience moderately likes them. Duolingo is kept as evidence only to support the audience taste profile, as both brands share a moderate affinity level and verified contact routes.over Duolingo2026-10-15FuturismFuturism is the brand or studio to approach because it is a business that buys audience data and matches the strong positive response of the other audience. Severance is kept as evidence only because it is a television show where the buyer would be its network, though both share a strong audience affinity.over Severance2026-10-14AudiAudi is the appropriate entity to approach for audience data acquisition because their target audience already demonstrates strong affinity for the brand. Severance is retained exclusively as supporting evidence because its audience profile serves to validate taste correlations without functioning as a direct data buyer.over Severance2026-10-14CrocsCrocs is the right side to approach because the brand has a verified public contact route available for outreach. Swatch is kept as evidence only because its contact route is not verified yet, despite sharing a moderate level of audience alignment.over Swatch2026-10-14ClickHoleClickHole is the one to approach because they are a brand or studio that buys audience data with a verified public contact route. Blumhouse Productions is kept as evidence only because their public contact route is not verified yet.over Blumhouse Productions2026-10-14Medieval TimesMedieval Times has a verified public contact route and an audience that already strongly likes the data, making them the ideal brand to approach with Qloo's insights. Blumhouse Productions is kept as evidence only because their audience likes the data weakly and their public contact route is not verified yet.over Blumhouse Productions2026-10-14StudsStuds is the brand to approach because Qloo data shows the target audience already has a strong affinity for it. Glossier is kept as evidence only because the audience connection is weak, though its verified contact route provides a useful baseline for future outreach.over Glossier2026-10-14ThrillistThrillist is the one to approach because it is a brand that buys audience data and has a verified public contact route. The Bear is kept as evidence only because it is a TV show whose network contact route is not verified yet.over The Bear2026-10-14Herschel Supply CoHerschel Supply Co is the side to approach because it is a brand with a verified public contact route, and the data suggests its audience already strongly likes the target. Phoebe Bridgers is kept as evidence only because the facts show her public contact route is not verified yet, despite strong audience alignment.over Phoebe Bridgers2026-10-14AirbnbAirbnb is the chosen side to approach because it is a brand with a verified public contact route and a strong existing audience overlap according to Qloo data. Hacks is kept as evidence only because its network contact route is not verified yet, even though the TV show also shares a strong audience connection.over Hacks2026-10-13Eastman KodakEastman Kodak is the side to approach about Qloo's audience data because they have a verified public contact route and their audience already likes it strongly. A24 is kept as evidence only because their audience likes it moderately despite also having a verified public contact route.over A242026-10-13Blumhouse ProductionsBlumhouse Productions is the side to approach because it is a brand or studio that buys audience data. Napalm Death is kept as evidence only because it is an individual artist whose label or management would be the actual buyer.over Napalm Death2026-10-13A Bathing ApeA Bathing Ape is the correct entity to approach because it is a brand with a verified public contact route, and the data shows audiences already strongly like it. Tyler, the Creator is kept as evidence only because the artist is an individual whose public contact route is not verified yet, even though the audience strongly likes the work.over Tyler, the Creator2026-10-13UndefeatedUndefeated is the correct side to approach because it is a brand or studio that directly buys audience data. Tyler, the Creator is kept as evidence only because he is an individual artist where the buyer would be a label or management.over Tyler, the Creator2026-10-13Real Madrid CFReal Madrid CF is the right side to approach because it is a brand with a verified public contact route, and the facts suggest their audience already strongly likes the data. Charli XCX is kept as evidence only because the buyer would be a label or management and their public contact route is not verified yet.over Charli XCX2026-10-13Dolce & GabbanaDolce & Gabbana is the one to approach about Qloo's audience data because it is a brand with a verified public contact route. Charli XCX is kept as evidence only because she is an individual artist with a contact route that is not verified yet.over Charli XCX2026-10-13Ray-banRay-ban is the one to approach about Qloo audience data because it is a brand with a verified public contact route. Bad Bunny is kept as evidence only because it is an individual artist with a public contact route that is not verified yet.over Bad Bunny2026-10-13LamborghiniLamborghini is the side to approach about Qloo audience data because it is a brand with a verified public contact route. Bad Bunny is kept as evidence only because he is an individual artist whose contact route is not verified yet.over Bad Bunny2026-10-13Turntable LabTurntable Lab is the right side to approach because the audience already likes it strongly and the business buys audience data. Liquid Death is kept as evidence only because the audience likes it weakly despite having a verified public contact route.over Liquid Death2026-10-13Red BullRed Bull is the one to approach because it is a brand with a verified public contact route, and the facts suggest its audience already strongly likes the target. Axwell is kept as evidence only because he is an individual artist whose public contact route is not verified yet.over Axwell2026-10-13GlossierGlossier is the one to approach because they are a brand or studio that buys audience data and they have a verified public contact route. Ambar Lucid is kept as evidence only because she is an individual artist whose buyer would be a label or management and her contact route is not verified yet.over Ambar Lucid2026-10-13DuolingoDuolingo is the right side to approach about Qloo audience data because their target audience already demonstrates strong enthusiasm for it and they have a verified public contact route. Tumblr is kept as evidence only because their audience shows a more moderate level of existing affinity, which suggests they are better suited to support the primary outreach.over Tumblr2026-10-13A24A24 is the chosen side to approach because it is a brand with a verified public contact route, making direct outreach possible. Julia Jacklin is kept as evidence only because her audience overlap is stronger, but her contact route is not verified yet.over Julia Jacklin2026-10-13PatagoniaPatagonia is the side to approach because it is a business with a verified public contact route that buys audience data. Shovels & Rope is kept as evidence only because it is an individual artist where the buyer would be a label or management and the public contact route is not verified yet.over Shovels & Rope2026-10-13Liquid DeathThe facts suggest Liquid Death is the correct side to approach because it is a brand with a verified public contact route, whereas Can't Swim is an artist whose contact route is not verified yet. Can't Swim is kept as evidence only because the data shows an audience already strongly likes it, which supports the viability of the approach without being the direct buyer.over Can't Swim